Result for "The Nun"

After filmmaker Bill Millios made his earlier film, Killing Our Best Friends, shelters and rescue groups in New Hampshire made great progress in their life-saving work. By 2000, New Hampshire had become the first state in the nation to stop putting cats and dogs to death in its shelters just to make room for other animals who had become homeless. Bill made this film to get a better understanding of how that happened. It includes interviews with people who helped make that progress and shows how people throughout the country can do the same in their own community.

The ongoing history of wrestling's most dangerous and innovative organization in recent times, rolls on! This edition is very special as we tackle the beginning of ECW's "hardcore era," as Eastern became Extreme. This 1994 edition is told by the man that was at the center of that transition, as he grabbed a mic, threw down a belt, and changed wrestling history.

Following on from Hougoumont and D'Erlon's Attack, Part III starts just as the great battle reaches its crisis point. Marshal Ney launched thousands of France's finest heavy cavalry against Wellington's thinning lines who had already taken a terrible battering on the Mont St Jean Ridge. Wave after wave of armoured horsemen broke against the steady squares of British, Dutch/Belgian and German troops. The crisis, however, took a further turn for the worse as the key bastion in Wellington's centre, the fortified farm of La Haie Sainte, fell to the French onslaught. The way to Brussels was now open and Wellington muttered, 'Give me Blucher or give me night'. With the situation looking bleaker by the second for Wellington and his troops, Napoleon fatefully hesitated to complete the coup de grace as the Prussians had closed in on his right flank at the Village of Plancenoit. Would the Young Guard be able to hold Blucher's men? There was all still to play for.

A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.

Sixteen occult freaks from all over Japan and horror idol Saaya, who herself has experienced many horror stories, gather at a studio in Tokyo. In front of Junji Inagawa, the undisputed charismatic figure of the occult world, the participants recounted their own horror stories.